Directed by James Wheatly

This production featured a unit set that was partially constructed in front of the audience throughout the progression of the action as the main character Troy builds his fence.

Directed by Michael Laun
Musical Direction by Kay Height

The classic murder mystery boardgame turned into a stage musical created an interactive enviroment that had the production team, cast, and audiences having to adapt and be on their toes to “play the game” and find a different solution each night.

Directed by Michael Laun

Bringing a train to the stage in a single scene transition was no easy feat. Using coordination mirroring that of the crime this sophisticated Agatha Christie mystery used a lit match to solve the crime and fool audiences with the unexpected twist.

Directed by Eric Wheeler & Michael Laun

STC’s joyful holiday tradition tells the classic Dickens’ tale in a version specifically written for Sacramento. This production used several special effects including dry ice fog, special lighting effects and a floor trap to bring Christmas Yet to Come rising from the grave.

Directed by Natasha Hause

A thrilling production that partnered with the Society for the Blind to bring to life a realistic depiction of a woman’s struggle for safety while in the midst of a dangerous con. This production included live flame and an exciting fight sequence all done in the dimly illuminated theatre.

Directed by Michael Laun
Music Director David Williams

This production focused on taking the whimsical stroies of Dr. Seuss and the fantastical stage adaption and once again adapting it to a concert setting with a focus on storytelling and entertainment.

Directed by Benjamin T. Ismail

This was an ensemble built show that included projections and a moving set that expanded and contracted to make different parts of Christopher’s world and his epic adventure.